For the place—or more precisely, the non-place—that the Spanish choreography collective Kor’sia defines as a site of transit and anonymity, a bus stop in the middle of nowhere serves as the setting. A place of passage and waiting. Suspended between departure and arrival. Far from everything, it nonetheless offers a space of possibility that is often lost in the anonymity of the big city, where encounters occur without connection. In such a non-place, encounters gain new weight, offer the chance for new perspectives, question everyday perception, and hold fragments of stories. Antonio de Rosa, Mattia Russo, and the dancers play with these possibilities,