Choreografie
Fr 13. March 2026
Sa 14. March 2026
Buntentorsteinweg 112
28201 Bremen, Deutschland
Two choreographic perspectives on community: Fay van Baar and Kossi S. Aholou-Wokawui, together with the ensemble Of Curious Nature, demonstrate how movement arises from instinct and sensation—between the urban present and dream-filled memories.
Where We Stand
Then suddenly, right in front of you: alarm signals in the bodies of others. Freezing. No one moves. What are they staring at? Can you see anything?
The ensemble Of Curious Nature is deeply concerned with cohesion in today’s society. Guest choreographer Fay van Baar’s new work takes the so-called “bystander effect” as its starting point, according to which people in groups behave more passively towards strangers in need. Together with the dancers of Of Curious Nature, van Baar explores the influence of internalized images on such behavior. What assessments, constellations, and body signals encourage or prevent the decision to help?
A black square in a white room catches the eye. It almost looks like a black hole, inevitably drawing the gaze and dance movements toward it. Something is happening here. But what exactly? How should we react? We sense what we cannot see; our own imagination fills in the gaps that open up. What behaviors determine our reactions in uncertain situations? In this new production, OCN explores the question of moral courage. Fay van Baar and the dancers jointly explore what prevents a group from acting and allow the desire for solidarity to resonate.
Ezan-Kélé
Fay van Baar’s new production is accompanied by a piece from the OCN repertoire that also deals with the state between imagination and reality. In his choreography, Kossi S. Aholou-Wokawui questions the dawn in the countryside of Togo from his memories. In a semi-awake state, the subconscious of the night lingers and drives sensations into the dawning day. Smoldering desires and longings make their way in the semi-darkness, threatening to tip over into reality or dry up again. Ezan-Kéle (“dawn” in the Ewe language) has its origins in my memories of the nocturnal and early morning movements of people in rural Togo: an intermediate state between dreaming and waking, in which one encounters others and oneself in the darkness.” (Kossi S. Aholou-Wokawui)
Credits
Toto Bissainthe, Divan Gattamorta, Simon Mayer, Serge Weber
Ezan-Kélé is part of the production Moving Mountains by TanzRAUM Nord gUG, in co-production with the Teo Otto Theater and steptext dance project (2023). Supported by Senator für Kultur Bremen and the Waldemar Koch Stiftung.